Sure enough, there's some memorable one-liners, well drawn characters, and an ending that'll have folks debating what truly happened after the screen has gone dark. Martin McDonagh's eye for timely drama and thoughtfully offensive comedy is as keen as it's ever been. If Three Billboards Outside of Ebbing, Missouri isn't making you cry, it's making you either laugh or think in equal measure. That having been said, the finished product is still very much a Martin McDonagh production, and it's still as engaging, amusing, and effecting as his fans would have hoped. The over-arcing story in this small community doesn't seem as tuned or taut as either In Bruges or Seven Psychopaths, and because of that, some characters and story points don't seem as strongly connected to the central narrative as those previous films would have. His mom is a racist, so he just doesn’t know better.
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And it seemed the movie was, at times, trying to posit Dixon as the victim. I found it problematic that I was being asked to sympathize with Jason Dixon. Three Billboards Outside Ebbing, Missouri. While all of McDonagh's signatures are definitely on display in Three Billboards Outside Ebbing, Missouri, it feels like this round is a little off. Three Billboards Outside Ebbing, Missouri left me in a weird spot. Just like the script she's working with, Frances McDormand manages to walk both sides of the line with equally devastating effect. But when it comes to Three Billboards Outside Ebbing, Missouri, there are several points where the narrative weaves between lanes of emotionally draining material and darkly comic wonder, with her protagonist serving as the axis to the film's shifts. McDormand's command over a scene has always been something you could count on her bringing to any film she's ever worked on. In particular, you're going to be hearing a lot of folks crowing about Frances McDormand's commanding performance as Mildred, and that's something I can totally get behind.
But what starts out as being a stark contrast to the environment around it turns into a rapidly escalating situation, one that eventually draws more of the townsfolk into its path as it progresses. Singling out Chief Bill Willoughby (Woody Harrelson) as her target of ridicule, she rents three billboards on a stretch of road that barely ever gets used outside of town. After her daughter is raped and murdered, and a police investigation hasn't yielded any solid leads, Mildred Hayes (Frances McDormand) officially declares war on the police department of Ebbing, Missouri.
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